Making Recentered

13 Billion Years in 35 seconds

 

EPCOT Center, like everything else in Walt Disney World, tells a story. But this isn’t a fairy tale, a fantasy or a legend this is the story of man — of our time on the planet. A story told with flashbacks to the past and flash-forwards to the future. 

— Mike Bonnifer, 

Walt Disney World: Past, Present and Future, 1991

 

Epcot’s theme as a celebration of the intrinsic value of humanity dictates that in our modern world of entertainment, focused on fewer and fewer franchises it’s essential to the subject of Epcot that one completely dissociate themselves with anything involving films, intellectual properties, and especially theme parks.

As with most films in this precisely defined genre of “Science Factual” presentations focused on the future, the narrative begins in our deep past. In all cases, whether it’s the prologue to Jules Verne’s 20,000 Leagues Under the Sea, the beginning of “Mars and Beyond” (1957) or most of the “Spaceship Earth” attraction this is done to establish a lineage through which a thesis can credibly emerge. For the development of “EPCOT | Recentered”, it was crucial to prime the audience for a discussion about the park’s potential by first moving as far away from its current condition as humanly possible, while still maintaining links and homages to its own history.

Drawing inspiration from the first minute of “The Spirit of EPCOT Center”, the opening of Carl Sagan’s “Contact” and most importantly the highly expressive early concept art of Claudio Mazzoli for Spaceship Earth (see below), this opening sequence was conceived as a literal journey through both time and space from before the big bang — From the outermost edge of the universe at the conception of human history to a soundstage in Burbank, CA in 1966.

 

“Innovation” by Claudio Mazzoli, 1978

 

Beyond these inspirations, this prologue is meant to convey that EPCOT was the latest in a very long line of historical achievements. And unlike most treks through time, this sequence was intentionally constructed to not cover all the major events or cultures in human history. Although undeniably significant, there would be no wars, dictators, weapons or other travesties shown in this tableau of our triumphs — every person, place or invention depicted was carefully chosen to signify a positive step in the progression of mankind.

Below are key moments in the “EPCOT | Recentered” prologue with historical commentary
☆ = Denotes further discussion in future entries of Making Recentered


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We’ll cover the technical aspects of depicting the history of history including asset creation & test footage for several segments of the prologue.

Joshua HarrisComment